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Renaissance Guitar |
Renaissance Guitar
The renaissance guitar emerged in the early 16th century, and largely fell out of use in the mid-17th century, when larger, 5-course guitars became popular. It's a delightful and extremely versatile instrument. It seems to blend well with anything from bagpipes to choirs. It has its own small, attractive repertoire of lute-like pieces in tablature, but it also responds very well to strumming, providing a solid but prominent accompaniment to other instruments. A really useful workhorse for all sorts of 16th century music. It has four courses (gg' c'c' e'e' a), and a string length of 485mm. It's smaller, easier to play, and more portable than a lute or vihuela. ![]()
Praetorius Guitar
My renaissance guitars are based on various paintings and illustrations, including the precise scaled drawing in Michael Praetorius's "Syntagma Musicum" of 1612. This is a rather odd instrument, having 6 courses and a carved head, but it provides the most accurate evidence for the body shape of a renaissance guitar. I usually construct the body and neck in maple, with a spruce or cedar soundboard. Bridge, pegs, etc. are in walnut. Fingerboard can be plain ebony or my signature yew. Illustrations of renaissance guitars usually show a fairly plain instrument, but there is plenty of scope for customisation. Different woods, an alternative rose, purfling, carved head - tell me what you want and I'll work out a price for your chosen frippery. ![]()
Rose Design 1
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Rose Design 2
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Back view
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Guitar with purfling
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Guitar with yew fingerboard
Sound ClipsPlayed by Richard MacKenzie
Played by Ian Pittaway
Played by Ian Pittaway
Played by Nick Gravestock Prices
To order or enquire, pleasecontact me Cases - Excellent cases can be ordered from specialist manufacturers such as Kingham MTM, but they're pricy. I can supply an attractive, custom-built plywood case, black with chrome fittings, for £230 when ordered with an instrument. Delivery - the price depends on where you live. Please enquire. I hate it when websites say "Phone for a quote", so to give you some idea - getting a baroque guitar in its case to America, including insurance, is currently about £170. Getting one to Kent is about half that. Waiting time, from placing an order to clutching your new baby, is currently about 12 months. It's very approximate, because the schedule often contains items that are somewhat experimental, and they may take more or less time to complete than anticipated. Usually more. Deposit - I usually ask for £150 (non-returnable unless I'm dead, insane, incapacitated or incarcerated) to secure an order and cover materials. Once that's paid, your order is entered into my Magic Book. Nothing happens for several months, then you receive an email to tell you I've started construction. A few weeks later, a big parcel arrives, and you squeal with delight. Import duty - If you're ordering from outside the UK, please beware that your customs service will probably charge import duty on a nice new beastie. It's often difficult to find out in advance exactly what they'll charge. It's typically 15% - 20% of the package value.
A note on HUMIDITY - delicate wooden instruments are remarkably resilient, but
they can have major problems with both high and low atmospheric humidity levels. I keep my workshop at the
recommended humidity level, between 45% and 50%, and I strongly recommend that instruments are kept as close
to that range as possible. Electronic humidity meters are available cheaply on the Internet. They're small enough
to keep in your instrument's case. |
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